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July 20 – August 27, 2022

Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
Tony Dagradi, Remix 
TONY DAGRADI, Woman In A Striped Dress, 2022
TONY DAGRADI, X-Ray Vision, 2020
TONY DAGRADI, Sanctuary #1, 2021
TONY DAGRADI, Sanctuary #3, 2021
TONY DAGRADI, Visions, 2021
TONY DAGRADI, Inside Out, 2022
TONY DAGRADI, Ukiyo-e, 2021
TONY DAGRADI, Birds Of The World, 2020
TONY DAGRADI, Important Hardwoods, 2022
TONY DAGRADI, Just Jazz, 2021
TONY DAGRADI, A Rose By Any Other Name, 2022
TONY DAGRADI, Anatomy, 2021
TONY DAGRADI, Chios, 2022
TONY DAGRADI, Humanity in War, 2021
TONY DAGRADI, Historia #1, 2022
TONY DAGRADI, Historia #2 - Napoleon, 2022
TONY DAGRADI, Historia #3 - Madame Roland, 2022
TONY DAGRADI, Bygone Days, 2020
TONY DAGRADI, Images From The Floating World, 2020
TONY DAGRADI, Tribes, 2021
TONY DAGRADI, Alice!, 2022
TONY DAGRADI, Medicine Man, 2021
TONY DAGRADI, Do You Believe In Magic, 2022
TONY DAGRADI, Heavy Weather/Singling In The Rain, 2022
TONY DAGRADI, The Dig, 2022
TONY DAGRADI, Higher Ground, 2020
TONY DAGRADI, The Devil’s In The Details, 2021
TONY DAGRADI, Gotta Have That Funk, 2020
TONY DAGRADI, Gods & Goddesses, 2020
TONY DAGRADI, Geronimo, 2020
TONY DAGRADI, Legends, 2020
TONY DAGRADI, Henry, 2022

Press Release

20 July 2022 (New Orleans, LA) JONATHAN FERRARA GALLERY is pleased to announce the third solo exhibition of New Orleans based artist, Tony Dagradi. Entitled Remix, the exhibition unveils more than twenty new, hand cut book sculptures. The new work offers a wide array of imagery ranging from encyclopedias and coffee table books to classic fairytales and graphic novels. Dagradi mines imagery from these publications and transposes together the most prominent, relevant, and anecdotal illustrations and, occasionally, text.  Positing a sort of graphic palimpsest, the final result creates a narrative which acts as a visual summarization of the respective books’ contents.


The artist says of the new body of work…

My lifetime experiences as a composer and performer directly inform my work as a visual artist. Music, for me, has always had a visual component, with the diverse elements of music suggesting colors, shapes and textures. Conversely, the juxtaposition of abstract shapes which come together as I work on a book, is very much how I perceive the interplay of melody, harmony, and rhythm.


Over the last few years, the methodologies I use for my altered book creations have steadily evolved. When I first began, I employed a pure “excavation” process. That is, after sealing the edges, I cut page by page through each book retaining the images that appealed to me and discarding everything else. However, I soon became dissatisfied with this approach and began reserving certain content for later use, positioning each piece when and where I wanted it. (Consider that as you look at a closed book, half of the pages are facing away from you.)


My current body of work represents several new directions for me in terms of design, textures and overall technique. One strategy that I find very gratifying is to fuse several coffee table books or volumes of an encyclopedia set to create one or more large panels. Each of these panels then functions as a “blank canvas” while the images and text come from a different source entirely. All of my framed pieces have been realized through this approach. I have also been experimenting with organic, abstract openings for book covers and the inclusion of “found poetry”.


It is important to note that every piece that I have ever done to this date, regardless of size or style, employs visual elements and text from only one book at a time. Using material from a single source, including eclectic photos and illustrations created and printed in a similar manner, is an obvious organizing factor. Ultimately, by altering and reorganizing content that is often long out of date, I hope to provide a perspective on the transitory nature of what earlier generations understood to be factual and offer insight into the way ever evolving media has shaped contemporary perspectives.


TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor and soprano saxophone with many of the Crescent City’s celebrated artists.   He is most well-known for his work with Astral Project, an adventurous quartet of top New Orleans players dedicated to playing cutting-edge improvisational music.  His performing past also includes five years as a member of the internationally acclaimed Carla Bley and appearances and recordings with Bobby McFerrin, Mose Allison, and Nat Adderley.


Since 2015, Tony has been exploring the visual possibilities of altered books. Choosing vintage and antiquarian texts, he carefully cuts through one page at a time utilizing existing images to create a three-dimensional collage or sculpture. The results allow the contents and imagery of long outdated material to be viewed in a manner that is both exciting and thought-provoking.


The exhibition will be on view from 20 July through 27 August 2022 with an opening reception coinciding with the Arts District of New Orleans’ (ADNO) event Fidelity Bank White Linen Night on Saturday, 6 August 2022 from 5 pm - 9 pm.

For more information, press or sales inquiries please contact Gallery Director Matthew Weldon Showman at 504.343.6827 or Please join the conversation with JFG on Facebook (@JonathanFerraraGallery), Twitter (@JFerraraGallery), and Instagram (@JonathanFerraraGallery) via the hashtags: #TonyDagradi, #Remix, #JonathanFerraraGallery, and #ArtsDistrictNewOrleans