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Staring at the Sun

Rather than working within the frame, Bonnie Maygarden strives to fuse real surfaces with virtual ones. Her perfectly shadowed expanses of folded and crumpled materials feel solidly three-dimensional, as if their shapes were impressed on the canvas itself. Their transparent facades echo digital visualization: Works like Grid I, 2013, probe the limits of the screen’s resolution by cramming each pixel-like square with an impossibly dense arrangement of details.


Written by Daniel A. Weiskopf