Skip to content

Bon Voyage

Summer Group Exhibition

"First Saturdays" Opening Reception - 7 June 5-8 PM

June 3 – July 19, 2025

ANN MARIE AURICCHIO, Start At The Roots, Release The Pressure Valve, 2024

ANN MARIE AURICCHIO

Start At The Roots, Release The Pressure Valve, 2024

acrylic and oil on canvas mounted to di-bond panel

74h x 60w x 2d in
187.96h x 152.40w x 5.08d cm

ANN MARIE AURICCHIO, The Omnipresence of Matter, Spirits, and Bewilderment, 2024

ANN MARIE AURICCHIO

The Omnipresence of Matter, Spirits, and Bewilderment, 2024

acrylic and oil on canvas mounted to di-bond panel

76h x 60w x 2d in
193.04h x 152.40w x 5.08d cm

ANN MARIE AURICCHIO, On The Lip of a Storm #5, 2024

ANN MARIE AURICCHIO

On The Lip of a Storm #5, 2024

collaged color printed paper

12h x 10.50w in
30.48h x 26.67w cm

ANN MARIE AURICCHIO, On The Lip of a Storm, #2, 2024

ANN MARIE AURICCHIO

On The Lip of a Storm, #2, 2024

collaged color printed paper

13h x 10w in
33.02h x 25.40w cm

AMANDA JOY BROWN, Music in the Park, 2024

AMANDA JOY BROWN

Music in the Park, 2024

acrylic on canvas

72h x 96w in
182.88h x 243.84w cm

AMANDA JOY BROWN, Swim, 2024

AMANDA JOY BROWN

Swim, 2024

acrylic on canvas

36h x 36w in
91.44h x 91.44w cm

A crowd of people with suitcases and bags all walking towards different directions. Some people are holding small children and others are looking at their phone.

AMANDA JOY BROWN

Travelers, 2022

acrylic on canvas

48h x 64w in

A monochrome painting of various objects on a white background, resembling an aerial view of people on the beach.

AMANDA JOY BROWN

Umbrellascape, 2019

acrylic on canvas

50h x 46w in

TIFFANY CALVERT, #449, 2024

TIFFANY CALVERT

#449, 2024

oil on water based latex print on canvas

20h x 16w in
50.80h x 40.64w cm

TIFFANY CALVERT, #444, 2024

TIFFANY CALVERT

#444, 2024

oil on water based latex print on canvas

68h x 55w in
139.70h x 172.72w cm

 

TIFFANY CALVERT, #430, 2023

TIFFANY CALVERT

#430, 2023

oil on water based latex print on canvas

48h x 60w in
121.92h x 152.40w cm

TiCa020

TIFFANY CALVERT, #417, 2023

TIFFANY CALVERT

#417, 2023

oil on water based latex print on canvas

55h x 68w in
139.70h x 172.72w cm

TiCa025

GINGER WILLIAMS COOK, Taurus: Europa & Zeus, 2024

GINGER WILLIAMS COOK

Taurus: Europa & Zeus, 2024

acrylic and neocolor pastel canvas

20h x 20w in
50.80h x 50.80w cm

Taurus is associated with Zeus, who took the form of a white bull with golden horns to abduct Europa, the daughter of King Agenor of Phoenicia.

GINGER WILLIAMS COOK, Leo: Hercules and the Nemean Lion, 2024

GINGER WILLIAMS COOK

Leo: Hercules and the Nemean Lion, 2024

acrylic and neocolor pastel on canvas

20h x 20w in
50.80h x 50.80w cm

 

Heracles (Hercules to the Romans) killed the Nemean Lion as the first of his twelve labors, by using the lion's own claw as a weapon, and then strangling it with his bare hands. To celebrate Heracles' victory, Zeus placed the lion's image among the stars, located south of the Big Dipper.

GINGER WILLIAMS COOK, Virgo: Demeter the Goddess of Harvest, 2024

GINGER WILLIAMS COOK

Virgo: Demeter the Goddess of Harvest, 2024

acrylic and neocolor pastel canvas

20h x 20w in
50.80h x 50.80w cm

The constellation Virgo is associated with the goddess of the harvest, Demeter, and her daughter, Persephone, the queen of the Underworld. Hades, the god of the underworld, kidnapped Persephone. In response, Demeter's grief causes the crops to wither, and the earth becomes infertile. Zeus, the king of the gods, orders Hades to return Persephone so that the harvests can be fruitful again. Hades half-delivered and cursed Persephone to spend half of every year in the underworld with him. The ancient Greeks used this myth to explain the seasons, with Persephone representing good weather and growing seasons when she is in the sky, and Virgo representing the end of the growing season when it is not visible. 

GINGER WILLIAMS COOK, Libra: Astraea the Goddess of Justice, 2024

GINGER WILLIAMS COOK

Libra: Astraea the Goddess of Justice, 2024

acrylic and neocolor pastel on canvas

20h x 20w in
50.80h x 50.80w cm

 

The constellation Libra is often associated with Astraea, the goddess of justice placed among the stars. Astraea is often depicted holding scales, to symbolize equity and fairness in the eyes of the law. Astraea advocated for good deeds and challenged evil people to change their hearts. Eventually, the scales leaned towards evil, and people started a war. Astraea left the human world and returned to the heavens. 

GINGER WILLIAMS COOK, Sagittarius: Chiron, 2024

GINGER WILLIAMS COOK

Sagittarius: Chiron, 2024

acrylic and neocolor pastel canvas

20h x 20w in
50.80h x 50.80w cm

Chiron was a centaur, half-man, half-horse, and a mentor to Achilles. In one story, Chiron was accidentally shot with a poisoned arrow by Hercules, and offered to replace Prometheus in prison in exchange for immortality. Zeus granted Chiron immortality among the stars, creating the constellation Sagittarius. 

GINGER WILLIAMS COOK, Aquarius: Ganymede, 2024

GINGER WILLIAMS COOK

Aquarius: Ganymede, 2024

acrylic and neocolor pastel canvas

20h x 20w in
50.80h x 50.80w cm

Aquarius is associated with Ganymede, the handsome young prince of Troy who was abducted by Zeus (transformed as an eagle) and taken to Mount Olympus to serve as the gods' cupbearer.

GINGER WILLIAMS COOK, Abundance of Apollo, 2024

GINGER WILLIAMS COOK

Abundance of Apollo, 2024

acrylic and neocolor pastel on canvas

36h x 36w in
91.44h x 91.44w cm

 

This depiction of Apollo is encased in the twelve signs of the zodiac with a wreath to symbolize the continuous cycle of life and the many fruits of labor within a year.

GINGER WILLIAMS COOK, Summer & Autumn, 2023

GINGER WILLIAMS COOK

Summer & Autumn, 2023

acrylic on wood panel

20h x 16w in
50.80h x 40.64w cm

MARGARET EVANGELINE, Language V Camellia, 2024

MARGARET EVANGELINE

Language V Camellia, 2024

oil on canvas

48h x 48w in
121.92h x 121.92w cm

MARGARET EVANGELINE, Infrastructure Camellia, 2024

MARGARET EVANGELINE

Infrastructure Camellia, 2024

oil on canvas

48h x 48w in
121.92h x 121.92w cm

MARGARET EVANGELINE, San Antonio Orange, 2024

MARGARET EVANGELINE

San Antonio Orange, 2024

oil on canvas

48h x 48w in
121.92h x 121.92w cm

MARGARET EVANGELINE, Lone Iris, 2024

MARGARET EVANGELINE

Lone Iris, 2024

oil on canvas

20h x 16w in
50.80h x 40.64w cm

BONNIE MAYGARDEN, Moored I, 2025

BONNIE MAYGARDEN

Moored I, 2025

acrylic on canvas

48h x 36w in
121.92h x 91.44w cm

BONNIE MAYGARDEN, Moored II, 2025

BONNIE MAYGARDEN

Moored II, 2025

acrylic on canvas

48h x 36w in
121.92h x 91.44w cm

BONNIE MAYGARDEN, Nights End, 2024

BONNIE MAYGARDEN

Nights End, 2024

acrylic on canvas

40h x 48w in
101.60h x 121.92w cm

BONNIE MAYGARDEN, Rainbow's Bend, 2024

BONNIE MAYGARDEN

Rainbow's Bend, 2024

acrylic on canvas

48h x 36w in
121.92h x 91.44w cm

KRISTIN MOORE, L.A. Moonrise, 2025

KRISTIN MOORE

L.A. Moonrise, 2025

acrylic on panel

24h x 24w in
60.96h x 60.96w cm

KRISTIN MOORE, Palm Springs Golf Course (Sunset), 2024

KRISTIN MOORE

Palm Springs Golf Course (Sunset), 2024

acrylic on panel

40h x 40w in
101.60h x 101.60w cm

Aerial view painting of a pink sunrise over the Mississippi River

KRISTIN MOORE

Mississippi River (Sunrise), 2024

acrylic on canvas

48h x 48w in
121.92h x 121.92w cm

KRISTIN MOORE, French Quarter (Decatur St.), 2024

KRISTIN MOORE

French Quarter (Decatur St.), 2024

acrylic on wood

30h x 30w in
76.20h x 76.20w cm

RUTH OWENS, Godspeed (after Ivan Bilibin), study, 2024

RUTH OWENS

Godspeed (after Ivan Bilibin), study, 2024

casein on paper

12.50h x 9.80w in
31.75h x 24.89w cm

RO153

RUTH OWENS, Adieu Gaugin, study, 2023

RUTH OWENS

Adieu Gaugin, study, 2023

casein on paper

12h x 7.50w in
30.48h x 19.05w cm

Framed: 16.25h x 11w in
41.28h x 27.94w cm

RUTH OWENS, Rest Stop, 2023

RUTH OWENS

Rest Stop, 2023

casein on paper

10h x 6.60w in
25.40h x 16.76w cm

Framed: 13h x 9.50w in
33.02h x 24.13w cm

RO131

RUTH OWENS, Court Ladies, 2023

RUTH OWENS

Court Ladies, 2023

casein on paper

8.40h x 7w in
21.34h x 17.78w cm

Framed: 11.25h x 10w in
28.58h x 25.40w cm

RO125

RUTH OWENS, See Me, Countryside, study I, 2023

RUTH OWENS

See Me, Countryside, study I, 2023

casein, pencil on paper

10h x 7.40w in
25.40h x 18.80w cm

Framed: 13h x 10.25w in
33.02h x 26.04w cm

 

RUTH OWENS, See Me Slopeside, 2021

RUTH OWENS

See Me Slopeside, 2021

casein and transfer on paper

13h x 13w in

RUTH OWENS, David and Sweet Ann, study, 2019

RUTH OWENS

David and Sweet Ann, study, 2019

casein on paper

10.50h x 12.75w in
Framed: 10.50h x 12.75w in

RUTH OWENS, Last Dance (study), 2018

RUTH OWENS

Last Dance (study), 2018

casein on paper

16.06h x 13.69w in

ANASTASIA PELIAS, Infinite Unapologetic Love, 2023

ANASTASIA PELIAS

Infinite Unapologetic Love, 2023

oil and oil stick on canvas

84h x 84w in
213.36h x 213.36w cm

ANASTASIA PELIAS, Dancing off the Cliff (for the Women of Souli), 2023

ANASTASIA PELIAS

Dancing off the Cliff (for the Women of Souli), 2023

oil and oil stick on canvas

60h x 48w in
152.40h x 121.92w cm

ANASTASIA PELIAS, I am the Whore and the Holy Woman, 2022-2023

ANASTASIA PELIAS

I am the Whore and the Holy Woman, 2022-2023

oil and oil stick on canvas

65h x 65w in
165.10h x 165.10w cm

ANASTASIA PELIAS, Isis, oh Isis, 2023

ANASTASIA PELIAS

Isis, oh Isis, 2023

oil and oil stick on canvas

48h x 48w in
121.92h x 121.92w cm

GINA PHILLIPS, Viale Dell’Uccelliera., 2022

GINA PHILLIPS

Viale Dell’Uccelliera., 2022

fabric and thread with acrylic underpainting

56h x 85w in
142.24h x 215.90w cm

GINA PHILLIPS, First Sunset, 2024

GINA PHILLIPS

First Sunset, 2024

oil on primed paper

22h x 30w in
55.88h x 76.20w cm

GINA PHILLIPS, Twisted Pine, 2024

GINA PHILLIPS

Twisted Pine, 2024

oil on primed paper

22h x 30w in
55.88h x 76.20w cm

GIPH058

GINA PHILLIPS, Second Sunset, 2024

GINA PHILLIPS

Second Sunset, 2024

oil on primed paper

22h x 30w in
55.88h x 76.20w cm

REWA, nwunye onye | Freedom, 2024

REWA

nwunye onye | Freedom, 2024

acrylic and ink on canvas

36h x 48w in
91.44h x 121.92w cm

REWA, ezeigbo | Igbo King, 2025

REWA

ezeigbo | Igbo King, 2025

acrylic and ink on canvas

48h x 36w in
121.92h x 91.44w cm

REWA, amaka | Beauty, 2025

REWA

amaka | Beauty, 2025

acrylic and ink on canvas

48h x 36w in
121.92h x 91.44w cm

SOLD

REWA, ezinne | The Good Mother, 2024

REWA

ezinne | The Good Mother, 2024

acrylic and ink on canvas

36h x 48w in
91.44h x 121.92w cm

CARLTON SCOTT STURGILL, Current Local TIme 2024, 2024

CARLTON SCOTT STURGILL

Current Local TIme 2024, 2024

flashe on vintage globe

18h x 17w x 17d in
45.72h x 43.18w x 43.18d cm

CARLTON SCOTT STURGILL, Landscape Painting (after Bierstadt), 2023

CARLTON SCOTT STURGILL

Landscape Painting (after Bierstadt), 2023

acrylic on aluminum composite panel

30h x 48w in
76.20h x 121.92w cm

CARLTON SCOTT STURGILL, Sunset, 2024

CARLTON SCOTT STURGILL

Sunset, 2024

flashe on aluminum composite panel

10h x 8w in
25.40h x 20.32w cm

CARLTON SCOTT STURGILL, Mythological Painting (after van Loo), 2023

CARLTON SCOTT STURGILL

Mythological Painting (after van Loo), 2023

acrylic on aluminum composite panel

44h x 55w in
111.76h x 139.70w cm

TRENITY THOMAS, Take Me With You, 2024

TRENITY THOMAS

Take Me With You, 2024

acrylic on canvas

60h x 48w in
152.40h x 121.92w cm

TRENITY THOMAS, Soaking it all in, 2024

TRENITY THOMAS

Soaking it all in, 2024

acrylic on canvas

48h x 48w in
121.92h x 121.92w cm

TRENITY THOMAS, How was the Party?, 2024

TRENITY THOMAS

How was the Party?, 2024

acrylic and oil pastel canvas

48h x 36w in
121.92h x 91.44w cm

TRENITY THOMAS, Overlapping, 2023

TRENITY THOMAS

Overlapping, 2023

acrylic, oil pastel, and cardboard on canvas

40h x 90w in
101.60h x 228.60w cm

MICHAEL TOLE, Fantasy Football, 2024

MICHAEL TOLE

Fantasy Football, 2024

oil on canvas

72h x 60w in
182.88h x 152.40w cm

MICHAEL TOLE, Hannah Belle Leading Her Forces at the Battle of Trebbia, 2024

MICHAEL TOLE

Hannah Belle Leading Her Forces at the Battle of Trebbia, 2024

oil on canvas

72h x 72w in
182.88h x 182.88w cm

MICHAEL TOLE, The Dissidents: Discourse on the Golden Mean, 2022

MICHAEL TOLE

The Dissidents: Discourse on the Golden Mean, 2022

oil on canvas

48h x 64w in
121.92h x 162.56w cm

This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting).  Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue.  Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine.  The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol.

MICHAEL TOLE, A Coalition of Willing Goddesses Topples Mars, Commonly Known as A Death of Sardanapalus, 2018

MICHAEL TOLE

A Coalition of Willing Goddesses Topples Mars, Commonly Known as A Death of Sardanapalus, 2018

oil on canvas

60h x 44w in

 

A Death of Sardanapalus is a revisionist history in which I reimagine the fall of the last Assyrian king, famously portrayed by Delacroix. In my reimagining, far from being passive victims, Sardanapalus's concubines are about to perform a coup de gras, without him suspecting a thing.