Tiffany Calvert
TIFFANY CALVERT
#402, 2022
oil on water based latex print on canvas
28h x 22w in
71.12h x 55.88w cm
TIFFANY CALVERT
#409, 2022
oil on water based latex print on canvas
28h x 22w in
71.12h x 55.88w cm
TIFFANY CALVERT
#448, 2024
oil on water based latex print on canvas
20h x 16w in
50.80h x 40.64w cm
TIFFANY CALVERT
#446, 2024
oil on water based latex print on canvas
60h x 48w in
121.92h x 152.40w cm
E2 - KLEINVELD & JULIEN
Ode to Klimt's 'Portrait of Adele Bloch-Bauer I', 2023
acrylic paint over archival pigment print
39.25h x 39.75w in
unique, monotype
“Ode to Klimt’s ‘Portrait of Adele Bloch Bauer I’’ bends gender expectations by casting a man as the woman in gold; artist Epaul Julien painted over a canvas print of e2’s photograph and incorporated gold leafing in order to achieve the one-of-a-kind final result. The remake challenges viewers to question why men must stay imprisoned in traditional masculinity? Who benefits from gatekeeping feminine beauty and softness?
E2 - KLEINVELD & JULIEN
Ode to Gauguin's Les Parau Parau (Conversation), 2025
archival pigment print
large: 35.8 x 48 inches, edition of 3, 2 APs
medium: 26.9 x 36 inches, edition of 5, 2 APs
small: 17.9 x 24 inches, edition of 7, 2 APs
E2808_001
SARAH JACOBS
Amethyst Dynamite, 2024
oil and print of watercolor-designed patterns on canvas
36h x 60w in
91.44h x 152.40w cm
SARAH JACOBS
Amethyst Dynamite, 2024
oil and print of watercolor-designed patterns on canvas
36h x 60w in
91.44h x 152.40w cm
PETER OLSON
Adam & Eve with Snakes, 2021
wheel thrown ceramic porcelain mix, original photography
17h x 7w x 7d in
43.18h x 17.78w x 17.78d cm
PETER OLSON
Wound Man, 2021
wheel thrown ceramic porcelain mix, original photography
19h x 8w x 8d in
48.26h x 20.32w x 20.32d cm
PETER OLSON
Adam & Eve with close ups, 2022
wheel thrown ceramic porcelain mix, original photography
21h x 6w in
53.34h x 15.24w cm
PETER OLSON
6, 2022
wheel-thrown ceramic porcelain mix, original photography
18h x 10w in
45.72h x 25.40w cm
PETER SARKISIAN
REMOTE DRIVER (Mumbai), 2024
archival pigment print, UV overlaminate, cardboard substrate, painted hardboard, video monitor
16h x 16w x 2d in; Looping runtime: 2 min 44 sec
2/6
In Remote Driver, a protagonist embarks on a global adventure without ever setting foot outside the virtual realm. The work combines photography, digital collage and video to portray a man driving through a diverse global landscape.
As the man drives, an animated world can be seen rushing past the window of his car.
This footage was filmed against the backdrop of a consumer video game, and does not reflect the diverse locations, periods or inhabitants pictured outside his vehicle.
The driver crashes through the simulated environment while drunk at the wheel, as if nothing he does matters.
PETER SARKISIAN
REMOTE DRIVER (Tokyo), 2024
archival pigment print, UV overlaminate, cardboard substrate, painted hardboard, video monitor
16h x 16w x 2d in; Looping runtime: 4 min 2 sec
3/6
In Remote Driver, a protagonist embarks on a global adventure without ever setting foot outside the virtual realm. The work combines photography, digital collage and video to portray a man driving through a diverse global landscape.
As the man drives, an animated world can be seen rushing past the window of his car.
This footage was filmed against the backdrop of a consumer video game, and does not reflect the diverse locations, periods or inhabitants pictured outside his vehicle.
The driver crashes through the simulated environment while drunk at the wheel, as if nothing he does matters.
PETER SARKISIAN
REMOTE DRIVER (Philadelphia), 2024
archival pigment print, UV overlaminate, cardboard substrate, painted hardboard, video monitor
16h x 16w x 2d in; Looping runtime: 3 min 52 sec
3/6
In Remote Driver, a protagonist embarks on a global adventure without ever setting foot outside the virtual realm. The work combines photography, digital collage and video to portray a man driving through a diverse global landscape.
As the man drives, an animated world can be seen rushing past the window of his car.
This footage was filmed against the backdrop of a consumer video game, and does not reflect the diverse locations, periods or inhabitants pictured outside his vehicle.
The driver crashes through the simulated environment while drunk at the wheel, as if nothing he does matters.
PETER SARKISIAN
REMOTE DRIVER (Chicago), 2024
archival pigment print, UV overlaminate, cardboard substrate, painted hardboard, video monitor
16h x 16w x 2d in; Looping runtime: 8 min 52 sec
2/6
In Remote Driver, a protagonist embarks on a global adventure without ever setting foot outside the virtual realm. The work combines photography, digital collage and video to portray a man driving through a diverse global landscape.
As the man drives, an animated world can be seen rushing past the window of his car.
This footage was filmed against the backdrop of a consumer video game, and does not reflect the diverse locations, periods or inhabitants pictured outside his vehicle.
The driver crashes through the simulated environment while drunk at the wheel, as if nothing he does matters.
