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We've Met Before...

new, recent, and important works by a cross-section of the gallery programme

"First Saturdays" Opening Receptions - 1 August 5-9 PM - White Linen Night + 5 September 5-8 PM

July 15 – September 5, 2026

TIFFANY CALVERT, #444, 2024

TIFFANY CALVERT

#444, 2024

oil on water based latex print on canvas

68h x 55w in
172.72h x 139.70w cm

TiCa027

JERED SPRECHER, Unfolding Mercies, 2025

JERED SPRECHER

Unfolding Mercies, 2025

oil on paper mounted to canvas

64h x 72w x 1.50d in
162.56h x 182.88w x 3.81d cm

JS095

MARGARET EVANGELINE, Patch of Blue Camellia #2, 2022

MARGARET EVANGELINE

Patch of Blue Camellia #2, 2022

oil on canvas

48h x 48w in
121.92h x 121.92w cm

RUTH OWENS, Silver Hands (after Ivan Bilibin), 2024

RUTH OWENS

Silver Hands (after Ivan Bilibin), 2024

oil on canvas

60h x 48w in
152.40h x 121.92w cm

RO154

MICHAEL TOLE, The Dissidents: Discourse on the Golden Mean, 2022

MICHAEL TOLE

The Dissidents: Discourse on the Golden Mean, 2022

oil on canvas

48h x 64w in
121.92h x 162.56w cm

mt033

GINGER WILLIAMS COOK, Abundance of Apollo, 2024

GINGER WILLIAMS COOK

Abundance of Apollo, 2024

acrylic and neocolor pastel on canvas

36h x 36w in
91.44h x 91.44w cm

This depiction of Apollo is encased in the twelve signs of the zodiac with a wreath to symbolize the continuous cycle of life and the many fruits of labor within a year.

BRANDON V. LEWIS, Mothers Day, 2021

BRANDON V. LEWIS

Mothers Day, 2021

acrylic on canvas

36h x 48w in
91.44h x 121.92w cm

BL030

AMANDA JOY BROWN, Untitled (Making a Path), 2018

AMANDA JOY BROWN

Untitled (Making a Path), 2018

acrylic on canvas

32h x 30w in
81.28h x 76.20w cm

AmBr064

TRENITY THOMAS, To be Held, 2023

TRENITY THOMAS

To be Held, 2023

acrylic on canvas

48h x 48w in
121.92h x 121.92w cm

TrTh509

BECCA FUHRMAN, Pillow Talk, 2025

BECCA FUHRMAN

Pillow Talk, 2025

acrylic, house-paint on canvas, with custom walnut frame

45h x 45w in
114.30h x 114.30w cm

BeFu022

REWA, ezeigbo | Igbo King, 2025

REWA

ezeigbo | Igbo King, 2025

acrylic and ink on canvas

48h x 36w in
121.92h x 91.44w cm

RU087

STARSKY BRINES, LIFT THE SOUL, 2023

STARSKY BRINES

LIFT THE SOUL, 2023

industrial paint, spray paint, and oil pastel on paper

30h x 22w in
76.20h x 55.88w cm

Framed: 32h x 24.25w in
81.28h x 61.60w cm

STARSKY BRINES, HUMO, 2023

STARSKY BRINES

HUMO, 2023

industrial paint, spray paint, and oil pastel on paper

30h x 22w in
76.20h x 55.88w cm

Framed: 32h x 24.25w in
81.28h x 61.60w cm

STARSKY BRINES, BLUE REY, 2023

STARSKY BRINES

BLUE REY, 2023

industrial paint, spray paint, and oil pastel on paper

30h x 22w in
76.20h x 55.88w cm

Framed: 32h x 24.25w in
81.28h x 61.60w cm

NOE KUREMOTO, Haniwa Warrior 124, 2024

NOE KUREMOTO

Haniwa Warrior 124, 2024

high fired black stoneware

17.50h x 12.50w x 3.50d in
44.45h x 31.75w x 8.89d cm

NoKu019

NOE KUREMOTO, Haniwa Warrior 137, 2024

NOE KUREMOTO

Haniwa Warrior 137, 2024

high fired black stoneware

20h x 8.50w x 4.50d in
50.80h x 21.59w x 11.43d cm

NoKu024

NOE KUREMOTO, Haniwa Warrior 179, 2024

NOE KUREMOTO

Haniwa Warrior 179, 2024

high fired black stoneware

20.50h x 12.50w x 4d in
52.07h x 31.75w x 10.16d cm

NoKu015

NOE KUREMOTO, Haniwa Warrior 173, 2024

NOE KUREMOTO

Haniwa Warrior 173, 2024

high fired black stoneware

20.50h x 9w x 3.50d in
52.07h x 22.86w x 8.89d cm

NoKu028

NOE KUREMOTO, Haniwa Warrior 164, 2024

NOE KUREMOTO

Haniwa Warrior 164, 2024

high fired black stoneware

23h x 11w x 4d in
58.42h x 27.94w x 10.16d cm

NoKu026

BARBARA KUEBEL, Cat dance or the limits of secrets/ Katzentanz oder die Grenze des Geheimen, 2022

BARBARA KUEBEL

Cat dance or the limits of secrets/ Katzentanz oder die Grenze des Geheimen, 2022

woodcut on paper 300gsm

64h x 57w in
162.56h x 144.78w cm

Edition of 5

KRISTIN MOORE, Los Angeles (Nocturne), 2024

KRISTIN MOORE

Los Angeles (Nocturne), 2024

acrylic on canvas

54h x 54w x 1.50d in
137.16h x 137.16w x 3.81d cm

KMo120

KRISTIN MOORE, Flying Over Los Angeles (Sunset), 2026

KRISTIN MOORE

Flying Over Los Angeles (Sunset), 2026

acrylic on canvas

30h x 30w x 1.50d in
76.20h x 76.20w x 3.81d cm

KMo139

BEN HAMBURGER, That Cloud From Yesterday Evening, 2024

BEN HAMBURGER

That Cloud From Yesterday Evening, 2024

acrylic and oil on canvas

40h x 40w in
101.60h x 101.60w cm

BeHa003

BONNIE MAYGARDEN, By Hand I, 2026

BONNIE MAYGARDEN

By Hand I, 2026

acrylic on canvas, mounted on cut panel

112h x 112w in
284.48h x 284.48w cm

BOMA113

BONNIE MAYGARDEN, Moored II, 2025

BONNIE MAYGARDEN

Moored II, 2025

acrylic on canvas

48h x 36w in
121.92h x 91.44w cm

BONNIE MAYGARDEN, Moored I, 2025

BONNIE MAYGARDEN

Moored I, 2025

acrylic on canvas

48h x 36w in
121.92h x 91.44w cm

ANASTASIA PELIAS, Karen, 2016

ANASTASIA PELIAS

Karen, 2016

oil stick on Arches paper

71h x 57w in
180.34h x 144.78w cm

8556

ANASTASIA PELIAS, Chilli, T-Boz, Left-Eye (TLC), 2016

ANASTASIA PELIAS

Chilli, T-Boz, Left-Eye (TLC), 2016

oil stick on Arches paper

61h x 57w in
154.94h x 144.78w cm

8839

MARNA SHOPOFF, Dream House, 2026

MARNA SHOPOFF

Dream House, 2026

oil on canvas

36h x 28w in
91.44h x 71.12w cm

MASH065

MARNA SHOPOFF, Slow Rainbow Show, 2025

MARNA SHOPOFF

Slow Rainbow Show, 2025

oil on canvas

32h x 32w in
81.28h x 81.28w cm

MASH062

SKYLAR FEIN, Welcome to the United States, 2019

SKYLAR FEIN

Welcome to the United States, 2019

acrylic on plaster and wood

32.50h x 72w in
82.55h x 182.88w cm

SKFE020

SKYLAR FEIN, Black Flag for Georges Bataille, 2012

SKYLAR FEIN

Black Flag for Georges Bataille, 2012

acrylic on plaster and wood

44h x 72w x 4d in
111.76h x 182.88w x 10.16d cm

7410

KAT FLYN, Mayday, 2024

KAT FLYN

Mayday, 2024

antique shoeshine box, hand carved wooden woman, 2 flags (upside-down USA flag and religious right flag), hand carved wood puppet head, small judges wig, hand carved wooden hands, hand carved wooden legs and shoes, handmade wood mallet

26h x 15w x 6d in
66.04h x 38.10w x 15.24d cm

KF172

E2 - KLEINVELD & JULIEN, Ode to Leutze's Washington Crossing the Delaware, 2016

E2 - KLEINVELD & JULIEN

Ode to Leutze's Washington Crossing the Delaware, 2016

archival pigment print

30.50h x 48w in
77.47h x 121.92w cm

Edition 2 of 3

E2657_002

CARLTON SCOTT STURGILL, Historical Painting (after Ranney), 2022

CARLTON SCOTT STURGILL

Historical Painting (after Ranney), 2022

acrylic on aluminum composite panel

40h x 40w in
101.60h x 101.60w cm

CaSt075

ALEXANDER STOLIN, Shipbuilding II, 2025

ALEXANDER STOLIN

Shipbuilding II, 2025

oil, acrylic, and tissue paper on canvas

51.25h x 58.75w in
130.18h x 149.23w cm

ASt034

DIRK STASCHKE, The Laughers (Version 1), 2023

DIRK STASCHKE

The Laughers (Version 1), 2023

ceramic

22h x 17w x 1.50d in
55.88h x 43.18w x 3.81d cm

DS026

DIRK STASCHKE, Inverted Still life with Ceramic Bowl, 2023

DIRK STASCHKE

Inverted Still life with Ceramic Bowl, 2023

ceramic

14h x 16w x 1.50d in
35.56h x 40.64w x 3.81d cm

DS031

DIRK STASCHKE, Inverted Still life with Plaid Bowl, 2023

DIRK STASCHKE

Inverted Still life with Plaid Bowl, 2023

ceramic

14h x 16w x 1.50d in
35.56h x 40.64w x 3.81d cm

DS030

ADAM MYSOCK I Saw a Headline Once, 2017

ADAM MYSOCK
I Saw a Headline Once, 2017
acrylic on panel
8h x 6.5w inches
framed 10h x 8.50w in

​after: "The Gossips" by Norman Rockwell, 1948

 

It seems like we’re invited to contemplate the nature of our political climate every time we turn on the television or go online. I spend hours wondering how our discourse become so contentious. So divisive. So maddening.

 

Maybe it has something to do with the fact that we’ve gradually started speaking in social monologues, in isolated, cyclical rants. We seemed to have lost all sense of dialogue and discussion. We’ve become disinterested in our audience’s feedback and certainly their diversity.

 

We talk continuously to those already in agreement with us, and we don’t want to pause long enough for anyone else to reply.

 

In this piece, I’ve taken the most iconic image of American circular communication – Norman Rockwell’s The Gossips – and re-presented a selected segment of it as though it were the pages of a flipbook flashing past our eyes. Within the selection, we’re offered a very homogenous group of characters. These individuals converse amongst themselves without variation from one page to the next. Essentially, these folks are constantly saying the same things to the same people.

 

On the left, I’ve rendered the imagery with a reddish hue. A nod to the red-shift phenomenon in astrophysics – where a celestial body moving away from our eyes appears to be a bit redder than it actually is, this page and its clarity of identity is moving away from us. As the imagery shifts right, it gradually becomes bluer, referencing the blue-shift phenomenon – where celestial bodies moving toward us appear bluish. These pages are quickly approaching our present. As they do, our ability to recognize identities becomes more and more challenging. We’re moving away from a clarified sense of who we are, toward a distorted future, simply because we only seem to be conversing with those who look and think the most like us.

ADAM MYSOCK Where the Snow in Snow Globes Came From, 2016

ADAM MYSOCK
Where the Snow in Snow Globes Came From, 2016
acrylic on panel
6 x 7.75 inches

ADAM MYSOCK The Consequences of Empty Threats, 2014

ADAM MYSOCK
The Consequences of Empty Threats, 2014
acrylic on panel
9 x11.5 inches

ADAM MYSOCK In Search of What Once Was, 2014

ADAM MYSOCK
In Search of What Once Was, 2014
acrylic on panel
5 x 12 inches

ADAM MYSOCK, And, lo, three men stood by Abraham: and when he saw [them], he ran to meet them from the tent door, and bowed himself toward the ground, 2011

ADAM MYSOCK

And, lo, three men stood by Abraham: and when he saw [them], he ran to meet them from the tent door, and bowed himself toward the ground, 2011

acrylic on panel

5h x 6.20w in
12.70h x 15.75w cm

Framed: 6.90h x 8.10w in
17.53h x 20.57w cm

4865

ADAM MYSOCK, And the LORD said unto Abram, after that Lot was separated from him, Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward, 2011

ADAM MYSOCK

And the LORD said unto Abram, after that Lot was separated from him, Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward, 2011

acrylic on panel

10h x 16w in
25.40h x 40.64w cm

Framed: 12h x 17.50w in
30.48h x 44.45w cm

4826

ADAM MYSOCK, And Abraham looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went up as the smoke of a furnace, 2011

ADAM MYSOCK

And Abraham looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went up as the smoke of a furnace, 2011

acrylic on panel

10h x 14w in
25.40h x 35.56w cm

Framed: 12h x 16w in
30.48h x 40.64w cm

4771

ADAM MYSOCK, So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran, 2011

ADAM MYSOCK

So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran, 2011

acrylic on panel

10h x 8.50w in
25.40h x 21.59w cm

Framed: 12h x 10.50w in
30.48h x 26.67w cm

4825

TONY DAGRADI, The Boy Orator, 2025

TONY DAGRADI

The Boy Orator, 2025

hardcover book, acrylic varnish; Puck, July-Dec.1896 Keppler & Schwarzmann @1896

14.25h x 11.75w x 1.25d in
36.20h x 29.85w x 3.18d cm

TDa154

TONY DAGRADI, Teddy, 2025

TONY DAGRADI

Teddy, 2025

hardcover book, acrylic varnish; Puck, July-Dec.1898 Keppler & Schwarzmann @1898

14.25h x 11.75w x 1.25d in
36.20h x 29.85w x 3.18d cm

TDa155

TONY DAGRADI, Trapped In History, 2025

TONY DAGRADI

Trapped In History, 2025

hardcover books, acrylic varnish; Album Of American History, Vols I - IV Charles Scribner’s Sons @1944

11.25h x 8w x 5.50d in
28.58h x 20.32w x 13.97d cm

TDa158

JONATHAN FERRARA, In Bloom Series, 2026

JONATHAN FERRARA

In Bloom Series, 2026

JONATHAN FERRARA, In Bloom (Blue and Yellow), 2026

JONATHAN FERRARA

In Bloom (Blue and Yellow), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

20h x 20w x 6d in
50.80h x 50.80w x 15.24d cm

JonF060

JONATHAN FERRARA, In Bloom (Japanese Magnolia), 2026

JONATHAN FERRARA

In Bloom (Japanese Magnolia), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

18.75h x 18.75w x 4.50d in
47.63h x 47.63w x 11.43d cm

JonF054

JONATHAN FERRARA, In Bloom (Sunflower), 2026

JONATHAN FERRARA

In Bloom (Sunflower), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

13.50h x 13.50w x 3.50d in
34.29h x 34.29w x 8.89d cm

JonF082

JONATHAN FERRARA, In Bloom (Blue, Pink and Yellow), 2026

JONATHAN FERRARA

In Bloom (Blue, Pink and Yellow), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

7.25h x 7.25w x 4.25d in
18.42h x 18.42w x 10.80d cm

JonF065

JONATHAN FERRARA, In Bloom (Dandelion), 2026

JONATHAN FERRARA

In Bloom (Dandelion), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

8.50h x 8.50w x 3.75d in
21.59h x 21.59w x 9.53d cm

JonF081

JONATHAN FERRARA, In Bloom (Guacamole Flower), 2026

JONATHAN FERRARA

In Bloom (Guacamole Flower), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

16h x 16w x 6d in
40.64h x 40.64w x 15.24d cm

JonF083

JONATHAN FERRARA, In Bloom (Yellow and Pink), 2026

JONATHAN FERRARA

In Bloom (Yellow and Pink), 2026

polylactic acid, mirror chrome aerosol paint, varnish on ACM

5.75h x 5.75w x 3.50d in
14.61h x 14.61w x 8.89d cm

JonF071

PETER OLSON, Impending Doom, 2019

PETER OLSON

Impending Doom, 2019

wheel-thrown ceramic porcelain mix, original photography

11h x 8w in
27.94h x 20.32w cm

PeOl008

PETER OLSON, Adam and Eve in a Frame, 2020

PETER OLSON

Adam and Eve in a Frame, 2020

wheel thrown ceramic porcelain mix, original photography

15h x 6w x 6d in
38.10h x 15.24w x 15.24d cm

PeOl027

PETER OLSON, Flay in a Frame, 2020

PETER OLSON

Flay in a Frame, 2020

wheel thrown ceramic porcelain mix, original photography

15h x 6w x 6d in
38.10h x 15.24w x 15.24d cm

PeOl026

PETER OLSON, Death in a Frame, 2020

PETER OLSON

Death in a Frame, 2020

wheel thrown ceramic porcelain mix, original photography

16h x 6w x 6d in
40.64h x 15.24w x 15.24d cm

PeOl025

PETER OLSON, 6, 2022

PETER OLSON

6, 2022

wheel-thrown ceramic porcelain mix, original photography

18h x 10w x 10d in
45.72h x 25.40w x 25.40d cm

PeOl018

PETER OLSON, Defaced graveyard portraits, 2020

PETER OLSON

Defaced graveyard portraits, 2020

wheel thrown ceramic porcelain mix, original photography

14h x 9w x 9d in
35.56h x 22.86w x 22.86d cm

PeOl031

PAUL VILLINSKI, Wave (installation example in Ghost white)

PAUL VILLINSKI

Wave (installation example in Ghost white)

on view at Ferrara Showman Gallery New Orleans

 

Villinski's series of unique, open edition installations of 25, 50, or 100 butterfly elements are predetermined, artist-created compositions where the client may choose from any of the artist's colors/finishes and direction/orientation. For this option, the artwork arrives along with a template, simple installation instructions and a tool kit. The work may be installed by the client or a local installer (the gallery is happy to help assist with these details and may provide an installer if needed). This option is a more cost-effective and time-efficient way to acquire an installation (or smaller installation), forgoing both additional installation costs of artist travel combined with avoiding a longer wait time in scheduling the artist to install.

PAUL VILLINSKI, Never Gonna Fall In Love Again, 2025

PAUL VILLINSKI

Never Gonna Fall In Love Again, 2025

found vinyl LP records, steel wire

12h x 13.50w x 7.50d in
30.48h x 34.29w x 19.05d cm

PAVI167

PAUL VILLINSKI, One For My Baby, 2025

PAUL VILLINSKI

One For My Baby, 2025

found vinyl LP records, steel wire

13h x 11w x 5.50d in
33.02h x 27.94w x 13.97d cm

PAVI168

PAUL VILLINSKI, John Cage, 2025

PAUL VILLINSKI

John Cage, 2025

found vinyl LP records, steel wire

11h x 8w x 5d in
27.94h x 20.32w x 12.70d cm

PAVI164

PAUL VILLINSKI, All I Have To Do Is Dream, 2025

PAUL VILLINSKI

All I Have To Do Is Dream, 2025

found vinyl LP records, steel wire

10h x 9.50w x 6.50d in
25.40h x 24.13w x 16.51d cm

PAVI155

We've Met Before... - new, recent, and important works by a cross-section of the gallery programme - Exhibitions - FERRARA SHOWMAN GALLERY

Press Release

(New Orleans, LA) FERRARA SHOWMAN GALLERY is proud to present We’ve Met Before…, a group exhibition which surveys the gallery program through the works of 33 represented artists. Featuring new, recent, and important earlier works by each artist, the exhibition fills the entirety of the gallery space for one expansive show and comprehensive view of the talent, ideas, and themes of a large cross-section of our artists.

 

The exhibition was inspired by that all-to-common occurrence when attending an event; you encounter an individual whom you’ve met numerous times before and yet they greet you: “Nice to meet you”.  In your mind you’re recounting the many previous interactions you’ve had with this person and wondering why none of these prior instances have left a memorable mark - but you politely reply, “It’s nice to see you”. For the gallerists and artists of the Arts District New Orleans, White Linen Night can produce countless moments of this exchange. For the surplus of 40,000+ attendees, this is often the only night of the year that they will attend ADNO’s monthly First Saturday Gallery Openings. We’ve Met Before… strives to offer a small glimpse of what the gallery offers year-round, in hopes of connecting each visitor with even one artist who can inspire them to return, and the gallery to welcome them, before the next White Linen Night.  

 

Artists highlighted in the exhibition include: Starsky Brines, Amanda Joy Brown, Tiffany Calvert, Ginger Williams Cook, Tony Dagradi, Jenny Day, E2 – Kleinveld & Julien, Margaret Evangeline, Skylar Fein, Jonathan Ferrara, Kat Flyn, Becca Fuhrman, Ben Hamburger, Barbara Kuebel, Noe Kuremoto, Brandon V. Lewis, Bonnie Maygarden, Kristin Moore, Adam Mysock, Peter Olson, Ruth Owens, Anastasia Pelias, Gina Phillips, REWA, Marna Shopoff, Aimée Farnet Siegel, Jered Sprecher, Dirk Staschke, Alexander Stolin, Carlton Scott Sturgill, Trenity Thomas, Michael Tole, and Paul Villinski.

 

We’ve Met Before… will be on view 15 July through 5 September, with an opening reception on 1 August from 5 – 9 PM in conjunction with the Arts District New Orleans’ highly anticipated, 32nd Annual Fidelity Bank White Linen Night – the city’s hottest art party of the year which features new (and some of the most important) gallery exhibitions of the year. As the district’s sole, annual fundraiser, the event attracts over 30,000 art lovers to the arts district for an artful block party, gallery openings, live music, and food and beverage. A second, closing reception will be held during the monthly First Saturdays on 5 September from 5 – 8 PM.

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For more information, press, or sales inquiries, please contact Gallery Director Matthew Weldon Showman at 504.343.6827 or matthew@ferrarashowman.com. Please join the conversation with FSG on social media:  @FerraraShowmanGallery + @ArtsDistrictNewOrleans + @WhiteLinenNight.